Forward of their upcoming Australian headline tour, we caught up with King 810 frontman David Gunn to speak in regards to the band’s evolution, artistic mindset, and the uncompromising imaginative and prescient that has outlined their profession. Identified for his or her uncooked depth and unfiltered storytelling, King 810 have constructed a fame for pushing boundaries each musically and thematically — one thing followers can count on in full pressure once they return to Australian levels.
SR. Followers who found you thru Memoirs of a Assassin typically say that file felt like remedy for them — do you continue to hear tales from folks whose lives had been modified by these early songs?
DG. Sure. On daily basis. It by no means will get previous, however not that I might get sick of it, however it by no means loses its affect, it’s principally a greater technique to put it than getting previous. It at all times catches you off guard, not since you’re shocked, however since you don’t actually know what to say to somebody about that in addition to thanks. After they spill their complete coronary heart out to you and inform you a few of the worst issues on the earth, you say Thanks, your form of like wanting like shit. You understand what I imply? So, it doesn’t get previous, however on the similar time, over a decade, I haven’t found out the sauce of what I should be saying. You understand what I imply? I haven’t figured that one out but. Despite the fact that I’ve had 1,000,000 tries and makes an attempt, which is now, as I say this reply, it’s shining the sunshine on some areas I’d must work on.
I perceive the place they’re coming from as a result of our music, I’m not saying it in a means that different, however I attempt to be utterly clear, and it’s not a guarded, coveted sort of factor. It’s actually private. I’ll perhaps say some issues that some folks don’t say and be a bit weak however due to that, I believe it permits folks to attach with it in a sure means, and due to that, you get a few of the most fucked up tales from folks. It’s not like, oh, my dad was doing medicine, and also you saved the day. It’s not like one thing so simple as that. Typically they’ll inform you how they relate to your songs, though they’re my songs and I do know what they’re about, and clearly I skilled them as nicely. While you hear that another person had X, Y, and Z sort of experiences, it form of does one thing to you, I assume, as a result of though it’s deep and issues like that, you’re like, woah.
Once they inform you a deep story, you’re like, the tune’s deep and I’ve the identical expertise as you, however it nonetheless form of hits you. I don’t know.
However then you might have this factor at the back of your thoughts that you just don’t need to be a heavy depressive individual. Say you’re assembly this individual, and this is perhaps the one time they meet you, and it is perhaps the one interplay you might have. You don’t need to be the suicide hotline; you already know what I imply? You need them to have a very good expertise, I assume, of you or with you.
SR. Quite a lot of bands attempt to recreate their debut sound ceaselessly, however King 810 has by no means actually stayed in a single lane. Do you see reinvention as survival in heavy music, or as creative risk-taking that followers simply have to come back alongside for?
DG. I don’t consider us as profitable in heavy music, so I don’t suppose now we have something at stake is the brief reply. The second reply could be, I believe it’s important creatively and artistically, however the cause why I mentioned the primary half is as a result of I don’t suppose now we have an viewers seize situation happening. I don’t suppose those that like us, like us for one file that they want we’d recreate. So that may be the third a part of the query the place they requested if we simply count on folks to be alongside for the trip in a means, but in addition, we don’t actually thoughts if folks dip out or come or, as a result of I really feel like every file is its personal factor. So, in a means, I really feel like that debut file thought, we’re making an attempt to try this each single time, however nearly prefer it’s a debut file for us each single time.
Not like we’re making an attempt to recreate the debut file, however each file we begin is form of a clear slate, and I at all times really feel just like the those that it resonates with will discover it or it’ll discover them as a substitute of considering what that query simply requested if I had any of these ideas when making the data, that may be unhealthy information. We don’t suppose like that I assume is simply talking for everybody within the group. It’s not a factor the place we sit round speaking about what the consensus is perhaps or if so-and-so would possibly’ve learn the feedback and that is what the followers need, or that is what the followers are saying or considering, seems like a dick factor to say, however we don’t care. It’s that we will’t actually get into that mind-set is hostage. And once more, it’s tremendous for us as a result of we’re unbiased and we’re not beholden to anybody, so we will just about do no matter you need, which is liberating, and that’s a part of the nice about being on this group.
SR. Quite a lot of followers love how unpredictable your music and performances are. How essential is shock to a King 810 dwell present, and what Aussie followers can count on from the 2026 reveals?
DG. You may count on to be shocked as a result of I don’t know what you possibly can count on, so I’m even going to be shocked. So, if I’m shocked, then I hope that you may be one thing. So, the unpredictability, I want I may say that it’s deliberate and staged, however it’s not. So, unpredictability means you’re unpredictable in each avenue, even to your self. So, telling you what to anticipate would form of not be predictable. That wouldn’t be unpredictable. So, I’m going to must defer to materialize your self, and then you definately inform me afterward and you may let me know if it was a very good day or a foul day for everybody concerned.
SR. Have you ever work on the Australian set-list? Any trace at what can we count on?
DG. Yeah, I can provide you a brief reply, however that final reply was, was it? We don’t play the identical set day by day, so we play no matter we wish, no matter we really feel, no matter involves thoughts. So, we don’t have a factor the place now we have to play this tune, that tune or the opposite tune. So, we’re going to attempt to play as a lot of a combination as we will. That is the primary headliner that we’ve completed there.
That is probably the most we’ve ever performed there. We’ve solely earlier than this solely performed for half-hour, so we will play for an hour, an hour or one thing like that. We’ll play as many songs as we probably can in that hour, and also you’ll be sick of it by the tip of it. Yeah, for certain. I’ll be bored with it.
SR. Heavy music right now feels much less genre-restricted than it did in 2014. Do you suppose the labels “nu metallic” and “metalcore” nonetheless matter, or are we shifting towards one thing extra fluid the place emotion issues greater than style guidelines?
DG. It’s humorous you say that as a result of I can’t discover emotion on this homogenized mess of shit. No less than after we had genres, you knew what the fuck you had been listening to. Now it looks like a mixture of soup.
We simply do no matter we wish, and it in all probability matches someplace. We don’t suppose we’re particular or distinctive or no matter. It’s simply with the homogeneity that’s occurring, I’m simply changing into extra confused about it. It’s not like this can be a pessimistic view of it, however while you hear the query, your form of like, yeah, the genres don’t matter and everybody’s mixing, however I believe every thing seems like shit. So, I want motherfuckers must unmix stuff and cease placing chocolate within the chili. They want to return to simply being chili if that’s what the hell they had been. I do know it’s not progressive or liberal in any sense, however I’ve slightly conservative bone in me.
I say this, I don’t know if everybody else does. I hear folks say this as nicely, so I can’t be alone, however they are saying issues, that is hilarious to suppose however simply shut your eyes and teleport your self again to 1998 while you would go into the shop and purchase one thing due to the best way it seemed. These days, folks say about data or new artists, or they only textual content one another on a cellular phone, a Spotify hyperlink, and I hear this catchphrase a lot, “oh, I haven’t acquired an opportunity to test that out but.” And it’s like, wow. Nicely, hey, man, everytime you get an opportunity. I do know. I don’t know, it’s simply, it’s disgusting in a means.
I used to be telling somebody a few tune the opposite day, and the tune to me means quite a bit. One among my pals wrote it they usually had been like, “oh, that’s a giant TikTok tune.” I’m like, “oh fuck. This shit really means one thing to me, and motherfuckers are going viral on TikTok with it.” I acquired to determine one thing else out. It’s unhealthy information.
SR. Heavy music followers right now are discovering bands by means of TikTok (sadly) and streaming as a substitute of native scenes — what recommendation would you give youthful followers simply now discovering heavy music for the primary time?
DG. I’m not the correct individual to ask as a result of I’ve by no means logged on to TikTok or Fb or any of that stuff, and I’ve by no means found something. So, my recommendation could be a private recommendation to get the fuck off all these platforms as a result of they’re ruining your life. You understand what I imply? And I’m not saying it from a social media standpoint, I simply imply in the best way that we had been speaking a second in the past, a part of that accessibility and stuff does take away from the invention course of. It’s not that each band sucks and simply shit ain’t prefer it was. It’s the entire, all of the mechanisms concerned cheapen the expertise. And so, when you might have a 3 second clip and it bleeds into folks’s music, and it makes their music suck. Once I take heed to a tune, now I can, and you might name me paranoid or suspicious or no matter, however I do know I’m proper as a result of I’ve watched folks do it in entrance of my eyes, so fuck you. They construct songs round issues that carry out nicely algorithmically.
Which is why each heavy band now will do vocal drops in each tune, praying for a viral second, or it’s simply pathetic. They’re identical to boot lickers that simply seem like they’re groveling for consideration, and it’ll at all times be some goofy shit the place the music stops they usually make some dumbass noise, you already know what I imply? Into the microphone, and it’s like, what sort of prostitute are you making an attempt to make a fucking noise to get? You understand what I imply? So, some chick posts on our TikTok or one thing like that, or some sq. ass man acts like he’s vibing into the music. You understand what I imply? When it’s simply probably the most aggressive sounding stuff. So in that means, I don’t suppose that’s doing anybody a service, particularly when you possibly can hear it and you can even hear in folks’s songs the place they may, they’re not essentially eclectic to start with, however you possibly can hear them form of flop genres each 20 seconds to get probably the most life out of the tune digitally. Kim Dracula is an effective instance of that
The components of his songs are solely 15 to 18 seconds, as a result of when you’ve got a four-minute tune stuffed with 18 second clips, you find yourself getting 20 waxes at social media platforms. You understand what I imply? In each tune, that’s tremendous I assume in the event you’re an influencer or one thing, however in the event you’re an artist otherwise you’re creating one thing, considering in sound bites is, I don’t know the place that’s going to get you actually in life, however don’t take it from me, I’m not even profitable, so you already know what I imply? You understand what I’m saying?
KING 810 AUSTRALIAN HEADLINE TOUR 2026
WITH GUESTS
THE GLOOM IN THE CORNER
DREGG
TOUR DATES:
WEDNESDAY 4 MARCH 2026 – JIVE BAR, ADELAIDE
WITH KIN
THURSDAY 5 MARCH 2026 – MAX WATTS, MELBOURNE
WITH MELTING
FRIDAY 6 MARCH 2026 – CROWBAR, SYDNEY
WITH ELISION
SATURDAY 7 MARCH 2026 – KING STREET WAREHOUSE, NEWCASTLE
WITH CULTURE OF HATE
SUNDAY 8 MARCH 2026 – CROWBAR, BRISBANE
WITH APATE
Tickets from www.destroyalllines.com










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