Director – Geetu Mohandas, Forged – Yash, Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, Rukmini Vasanth, Period – 3h14m, Score – 4.5
It isn’t an Amar Chitra Katha, however actually a fairy story for grown-ups — not simply within the visible spectacle it guarantees, however within the layered and complicated human feelings that drive its story.
Poisonous: A Fairy Story for Grown-Ups doesn’t match neatly into one style. At its coronary heart, it’s a Motion drama, however the movie expands past that, weaving collectively motion, love, household, and layered storytelling right into a world the place each character has a narrative of their very own. Geetu Mohandas brings all these components along with a definite visible and narrative fashion.
Yash takes on a twin function as Raya and his son Ticket, bringing contrasting energies to the movie. Whereas Raya anchors the gangster world, Ticket provides one other emotional layer to the story.
The movie takes its time constructing its world, permitting its characters and motivations to unfold naturally. Nayanthara’s Ganga and Kiara Advani’s Nadia add emotional depth, with Kiara bringing heat and vulnerability to her half. Huma Qureshi’s Elizabeth brings a robust presence to the narrative, holding her personal inside the movie’s layered world. Rukmini Vasanth, in the meantime, emerges as a shock package deal as Mellisa, bringing an understated but impactful efficiency. Tara Sutaria’s Rebecca, Akshay Oberoi’s Tony, Darrell D’Silva’s Salvador and Sudev Nair’s Karmadi every carry their very own arc to the story, making Poisonous really feel like a bigger, layered narrative.
The primary half has a distinctly massy flavour whereas holding the storytelling layered. Geetu Mohandas permits the drama, relationships and gangster components to simmer earlier than constructing in direction of a large interval block. It’s the type of interval that makes you sit up and surprise what comes subsequent — leaving you wanting extra.
However it’s the second half that takes Poisonous to a different stage.
The motion turns into greater, extra intense, and way more ferocious. What begins as a gangster drama step by step transforms into one thing rather more primal and explosive. The size is very large, however it’s the sheer depth of the sequences that basically stands out. There’s a rawness to the world Geetu creates, and the movie absolutely embraces that vitality.
On the identical time, Poisonous by no means loses its emotional core. Love, household, loyalty, and want stay woven into the bigger gangster narrative, giving the motion a private stake. The relationships between Raya, Ticket, Ganga and Nadia add an emotional layer to what might in any other case have been a straight-up action-driven story.
And simply whenever you assume you might have discovered the place the story is headed, Poisonous retains you guessing. The climax takes an unpredictable flip, including one other layer to the narrative and leaving you with lots to remove as soon as the movie ends. It’s a finale that stays with you, fairly than merely being concerning the spectacle of the second.
Yash anchors the movie with a commanding display presence, shifting between quieter emotional moments and larger-than-life motion with ease. His twin efficiency provides the movie one other layer, notably because the variations between Raya and Ticket start to emerge.
Geetu Mohandas clearly has a bigger canvas in thoughts with Poisonous. The storytelling is layered, the characters are given their very own arcs, and the movie continuously reveals new items of its world. It doesn’t all the time spell all the pieces out, as a substitute trusting the viewers to stick with it and join the dots.
KVN Productions and Monster Thoughts Creations LLP deserve credit score for backing a movie that goals huge and delivers a memorable theatrical expertise, and with Yash main the cost and Geetu Mohandas weaving collectively gangster drama, love, layered storytelling, and large motion, Poisonous emerges as a massy, primal, and bold cinematic expertise that’s now taking part in in theatres worldwide.